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Illustrator content to find the correct answer to when and why choose one software over the other. Translation made easy Invite co-workers and translators to translate your files online. Leverage Machine Translation to speed up your projects.

Here are the ready-to-be-printed PDFs with the most important and used shortcuts:. In case you wonder, I made also a Desktop Background with these shortcuts. The portion of the layer between the first and second keyframes plays at an unaltered rate the same as for the non-time-remapped layer , as does the portion of the layer between the third and fourth keyframes.

The second and third keyframes are identical, so a single frozen frame plays during the time between those two keyframes. To freeze the previous keyframe, drag the current keyframe marker to a value equal to the previous keyframe value so that the graph line is flat. This selection will preserve the timing of the rest of the layer when you remap time for the current keyframe.

To move the preceding portion of the layer forward, set the remap-time marker to a later time than the current-time indicator. To move the preceding portion of the layer backward, set the remap-time marker to an earlier time than the current-time indicator. To freeze a frame, set the remap-time marker to the frame you want frozen. Then, move the current-time indicator lower ruler to the last point in time where the frame will appear frozen and move the remap-time marker again to the frame you want frozen.

The speed graph of the Time Remap property directly relates to the pitch of an audio file. By making subtle changes to the speed graph, you can create a variety of interesting effects.

When the speed is too high, use the Levels controls, located under the Audio property, to control the volume. You may hear clicks at the beginning and end of an audio or an audio and video layer after setting new In and Out points in the Time Remap graph. Use the Levels controls to remove these clicks. You can change the decibel Slider Minimum value in the Audio Options dialog box, which is available from the Audio panel menu. Aharon Rabinowitz provides a tutorial on the Creative COW website that shows how to use time-remapping to do lip-synching.

This same basic concept can be used for many kinds of character animation. Robert Powers provides a video tutorial on the Slippery Rock NYC website that demonstrates how to use time-remapping to animate a character to synchronize mouth movement with audio lip synch.

Andrew Kramer provides a video tutorial on his Video Copilot website that demonstrates time-stretching, time-remapping, and frame blending. When you time-stretch or time-remap a layer to a slower frame rate or to a rate lower than the frame rate of its composition, movement can appear jerky. This jerky appearance results because the layer now has fewer frames per second than the composition.

Likewise, the same jerky appearance can occur when you time-stretch or time-remap a layer to a frame rate that is faster than the frame rate of its composition. To create smoother motion when you slow down or speed up a layer, use frame blending. Frame Mix takes less time to render, but Pixel Motion provides much better results, especially for footage that has been drastically slowed down.

The Quality setting you select also affects frame blending. When the layer is set to Best quality, frame blending results in smoother motion but may take longer to render than when set to Draft quality. When working with a frame-blended layer in Draft mode, After Effects always uses Frame Mix interpolation to increase rendering speed. Use frame blending to enhance the quality of time-altered motion in a layer that contains live-action footage—video, for example.

You can apply frame blending to a sequence of still images, but not to a single still image. If you are animating a layer—for example, moving a text layer across the screen—use motion blur. You can't apply frame blending to a precomposition layer a layer that uses a nested composition as its source footage item.

You can, however, apply frame blending to the layers within the nested composition if those layers themselves are based on motion footage items, such as video or image sequences. A check mark adjacent to the appropriate Frame Blending command Frame Mix or Pixel Motion indicates that it is applied to the selected layer. Also, the Frame Blending switch appears in the Switches column for the layer in the Timeline panel. Remove frame blending either by clicking the Frame Blending switch or by choosing the appropriate Frame Blending command again.

Regardless of the state of the layer switches, if frame blending is off for the composition, it is off for all layers in the composition. Set frame blending for the composition by choosing Enable Frame Blending from the Timeline panel menu, or by clicking the Enable Frame Blending button at the top of the Timeline panel.

Motion blur can make it harder for Pixel Motion to find discrete objects in each frame, which makes the calculation of motion vectors less reliable. For better results when using Pixel Motion to create slow motion, use footage with less motion blur.

Legal Notices Online Privacy Policy. Buy now. Time-stretching and time-remapping Search. Time-stretch a layer. Time-stretch a layer from a specific time. The aftereffect is used in the production of television commercials and parts of motion pictures. The three-dimensional ability to use a two-dimensional object, such as a photo, allows the user to design and produce a special and very beautiful clip.

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No matter if you work in the field of print, advertising, design, visualization or film, CINEMA 4D gives you all the tools you need to make your ideas reality. Maxon Cinema 4D Studio R Learning Cinema 4D R21 you found that helpful and I will go ahead and include this particular layout in the exercise files so you can download it, as well.



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